Preview
Cinema Camera
00:00:00:00 REC ●

ANALOG

RESEARCH

We bridge the gap between photochemical tradition and digital precision. A full-service cinema laboratory.

Chemicals Laser Color Server
Workflow

THE
LABORATORY

Precision engineering meets artistic intent. Explore our end-to-end analog pipeline.

IMMERSION

01

Chemical Development

Your negative enters our Photomec ECN-2 processor. We utilize Kodak-certified chemistry, monitored in real-time.

DIGITIZATION

02

Scanning

6.5K HDR Arriscan XT.

MANIPULATION

03

Color Grading

DCI-P3 Color Science.

PRESERVATION

04

Archival

LTO-8 Cold Storage.

Data Stream
RAW DATA XR-990 NEGATIVE KODAK RAW DATA XR-990 NEGATIVE KODAK
DEVELOPMENT ECN-2 PROCESS DEVELOPMENT ECN-2 PROCESS
SCAN.LOG OPTICAL TRANSFER SCAN.LOG OPTICAL TRANSFER

ARCHIVE

DATABASE ACCESS: LEVEL 4

[ALL] [16MM] [35MM]
Neon

NEON DRIFTER

16MM / 5219
Void

VOID RUNNER

35MM / B&W
Horizon

HORIZON LOST

65MM / IMAX
Static

STATIC NOISE

S16 / BLEACH
Tokyo

TOKYO DRIFT

35MM / 5219
Desert

DESERT ECHO

16MM / 50D

[ THE ETHOS ]

WE DO NOT FIX IT IN POST.
WE CAPTURE IT IN CAMERA.

FILM IS FINITE GRAIN IS TEXTURE LIGHT IS DATA